AZUCAR LOCO
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drencrome:

bacardiacs:

malformalady:

Rhinoceros beetle hitching a ride in Costa Rica. These harmless beetles reach the size of 6.75 inches (170 mm) in length

I want one

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vroomheid:

Lieve Van Gorp autumn—winter 1998—99.
Leather, the material of her first accessories, still features, both in the clothes and in the accessories — bags, wallets, belts, purses, wristbands, ties and other flights of fancy. Predominant colours are pale blue, black and white, as well as a range of greys. 
Lieve Van Gorp’s collections blend icons of Catholicism with rock star cult. This mixture is carefully expressed in the ‘merchandising’, which always accompanies her collections. Posters, pins with skulls, the letter ‘L’, exemplify her universe. True to her statement “In my dreams I’m a rock star, but unfortunatly I can’t sing”, Lieve Van Gorp mentions as sources of inspiration rock ‘n’ roll and country & western music, headstrong women like Madonna, Courtney Love, K.D. Lang, Patsy Cline, Skunk Anansie and Patricia Hearst, and men like Jesus Christ, Che Guevara, Willy De Ville and Elvis Presley. 
Working with diversity within one creation is Lieve Van Gorp’s strength. Emotion and agression, softness and bondage, films versus real life, male and female and everything in-between, conservatism and avant-garde, tradition and innovation, leather, love and trust, Gothic rock and classicism…, all these are parts of the Lieve Van Gorp puzzle.
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free-parking:

Irving Penn for American Vogue October 1984
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parelima:

by Chirag Bangdel
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loganjacksonphoto:

Claire, Mike. 2014
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angeladalinger:

spice girls by angela dalinger
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